![]() ![]() You'd spend a few minutes getting everything balanced between the mics (snare should only pick up snare, bass should only pick up bass, and the overheads should get a bit of everything). A drum is usually has at least 4 mics on it, so it's using 4 channels of the mixer (Snare, Bass, and 2 overheads). These act (and appear on the board) like channels but are really a bunch of channels added together. Now the singer has more of what he needs without affecting any one else. He needs to hear more of the rhythm guitar (which is in channel 3) so the engineer would turn up the send 1 knob on channel 3. For example, you're recording a band and your lead singer's headphones are on Send 1. Things like headphone mixes for individual people will be sent through the aux sends and each one can be balanced by the send knobs on each channel. They'll have a master mix (which usually gets sent into the control room and probably doesn't have a knob) but, there will be any number of aux sends. Most boards have outputs as well as inputs (how else would you hear whats going on). Now, repeat this column to the right for each input channel you have, and that makes up the majority of the board. Then you'll probably have a mute button (just cuts the channel out) and a solo button (cuts all other channels out). We'll get more into sends later on but, for now just know that for each sub-mix, send, and effects settings, you'll have a send knob for it on each channel. Then there will be your send knobs and your submix knobs. After that, you'll probably have a compression knob on the board and maybe a reverb knob on some boards. Then, on a professional board, you'll probably have a 7 band EQ (7 knobs controlling 7 different ranges of frequencies). There will be a knob for the gain settings on the microphone (mic signals are very small signals and need to be amplified before they can do anything else. Some boards have upwards of 24 to 30 of these channels but for now we'll just focus on one channel (one column of knobs sliders and buttons). ![]() Each channel takes input from one audio device (probably a microphone). First, there are the individual channels. Otherwise, when you go to fade out the music, it will still be going in the monitors.There are a few different things they could be but, a lot of that board is repetition of a few basic things. However, you will probably want the PRE to be inactive on the channel that controls your computer or pre-service music. In most cases, PRE should be active so that your fader does not affect the aux sends - especially when they are used for monitor mixes. If PRE is inactive (button not engaged), the fader will not only adjust your main mix, but the aux sends as well. So, If PRE is active (button is engaged), the fader will not affect the aux sends. ![]() However, most mixers have a PRE option which allows you to chose whether the fader should affect the volume of the aux sends or not. What does PRE mean?Īux sends are normally pre-fader by default. So, if you are using your aux send for a monitor mix and you cut the lows out of a vocal, the lows will be cut in the mains as well as the monitor mix. Keep in mind, unless your soundboard allows you to choose, aux sends are post EQ, which means EQ on your mixer will affect not only the main mix, but the aux sends as well. For example, if you are using it for reverb, turning the knob up will add more reverb to that channel. When using an aux send for signal processing, you are controlling how much of the specific channel you are sending to the external processor. So, if you have four aux sends on your board, you can create four different mixes in addition to your main mix. Aux sends can be used for a variety of purposes, such as monitor mixes or signal processing (reverb, delay, compression, etc).Įach aux send enables you to control the volume of a specific channel, creating a unique mix that is separate from the main mix.
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